Belltower’s Nina Yang Appointed as Head of Production
04 Juin 2010 - 8:07PM
Business Wire
Belltower Entertainment (OTCBB:BTOW) announced today that Nina
Yang has resigned as CEO and has been appointed to the position of
Vice President of Production. Ms. Yang will oversee all aspects of
the company’s independent film production division.
Ms. Yang entered the entertainment industry in 1998 as a
Production Executive for the CBS television series “Martial Law”,
starring Sammo Hung, while working as a Senior marketing &
media research analyst for Warner Bros. Studios. She was a
Development Executive on Jackie Chan’s “Super Cop” and “Rumble in
The Bronx”, as well as Production Manager on “Flatland” with
legendary Hollywood Producer Albert S. Ruddy (The Godfather,
Million Dollar Baby). Ms. Yang received her Masters of Arts Degree
in Media Policy/Entertainment Management (Annenberg/Cinema School)
from The University of Southern California in 1999.
Company Founder and Chairman Donald K. Bell will serve as CEO on
an interim basis while the company interviews potential candidates
for the position. The company has been engaged in on-going
negotiations as it prepares to expand its operations into
commercial production and direct response television in an effort
to diversify and increase Belltower’s potential revenue
streams.
Belltower Entertainment Corp. is a fully integrated film
entertainment company based in Los Angeles with a satellite office
in Shanghai, China complemented by strategic production and finance
partners throughout the world. Our goal and focus is in securing
ownership of film projects to be developed and packaged in-house,
which attract premier talent from both behind the camera and in
front of it, while keeping costs down through tax friendly
production territories and other soft money avenues. Belltower
creates favorable studio participation for distribution and P&A
funding with critically acclaimed screenwriters and top talent
attachments.
With a focus on Asia and Latin America, Belltower is
strategically positioned to produce high quality content at
cost-effective budgets while maximizing profit margins and upside
potential for both the company and its shareholders by retaining
control and ownership of its feature film projects.
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